Sean (LaBeouf) is a builder working on a bridge whose construction we see very symbolically being completed throughout the drama. We are uncomfortably close to Lars von Trier territory, or maybe Atom Egoyan at his most prescriptive. There are times when a North American transplant of this European director is unconvincing, and the central situation itself is like a pop-art image rather than the impassioned real thing. But there is something self-conscious and hammily plotted about it, once we have got past the real-time ordeal of its terrifying opening scene. This is clearly a personally engaged film for its creators I wanted to admire it and in a sense I do. It’s a vehement, forthright and sometimes unwatchably painful and upsetting emotional drama about the death of a baby his two stars, Vanessa Kirby and Shia LaBeouf, are at all times giving it upwards of 10,000%, especially Kirby. Most of his movies have been set in Hungary, but this new drama, scripted by Kata Wéber (who also wrote White God and Jupiter’s Moon), is his first English-language film, set in an indeterminate American city (but filmed in Quebec). White God (2014) was a Hitchcockian nightmare about a mass uprising among all the dogs in a city, and Jupiter’s Mood (2017) was a fantasy superhero-parable about a Syrian refugee who gets the ability to fly after being shot by an immigration cop. Many a time, his neck has been risked and his arm has been chanced he makes movies to challenge us. A lot of the women I spoke to felt as if their bodies had failed in some way, or they had failed their child, so the guilt that comes with that, as well as the self-blame.H ungarian director Kornél Mundruczó deserves our thanks for going somewhere very few film-makers want to go: out on a limb. “I managed to find some really brave women who really wanted to share their experiences… The more I spoke to them, the more I found how difficult society finds to talk about it.
“When I started the process of trying to get inside Martha and, really, the majority of the film is post-that trauma, I knew that I had experienced that particular kind of loss,” she said. The actress also spoke to a number of women who lost babies similarly.
It was the best film experience of my life.” “We just had no idea if it was going to work, and we just came together as a little tribe and went for it,” Kirby said. The team shot the scene during the film’s first two days on set, with two takes a day.
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Kirby said the team was determined to show “birth in all its glory, in its difficulty, and its pain, and its horror and its majesty.” She added, “I knew that I had to understand every minute of what labor was like,” eventually shadowing an obstetrician in a labor ward and even watching a full birth during the course of her preparation. Kirby confessed to feeling more scared by the possibility of doing “a birth that was edited and chopped up because, in a way, you’d have to get yourself into different stages of labor while cutting, going for a break, having lunch or whatever.” The continuous take, Kirby said, aided in their “intention to make it as authentic as possible.” It’s a harrowing opening that drops us squarely into their dynamic. Oscars 2023: Best Original Screenplay Predictionsĭuring a recent virtual post-screening Q&A hosted by Netflix, Kirby shared how important the film’s ambitious 23-minute opening sequence was to her process of getting into character.The Best True Crime Streaming Now, from 'Unsolved Mysteries' to 'McMillions' to 'The Staircase'.'You' Season 4 Part 2 Trailer: Joe Makes a Dangerous Friend.
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New Movies: Release Calendar for February 17, Plus Where to Watch the Latest Films.Sean, meanwhile, goes on his own journey inward and out of control as the pair try to pick up the pieces, even as they are rarely moving in the same direction. Martha also has to answer to her domineering mother, played enormously by Burstyn in another career-topping turn of many. Martha spirals into a messy, yearlong odyssey of grief, often pained discovery while also haunted by memories of what went wrong with the now publicly vilified midwife (Molly Parker), who she must face in court. Martin Scorsese executive-produces this gritty and hard-edged examination of loss centered on Martha (Kirby) and Sean (LaBeouf), a Boston couple reeling after a home birth ends in tragedy. Starring Vanessa Kirby and Shia LaBeouf as a couple grappling with the unimaginable and with stellar supporting turns from the likes of Ellen Burstyn and Sarah Snook, the drama launches on Netflix beginning January 7, 2021. “ Pieces of a Woman,” the English-language debut of director Kornél Mundruczó and written with his wife Kata Wéber, stunned the fall festival circuit earlier this year, playing at Venice and Toronto.
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